"Variations on the Word Sleep" By Margaret Atwood

Variations on the Word Sleep By Margaret Atwood In Variations on the Word Sleep the fabricator of the poetry immediately addresses his/her scruples need to connect with the some other person, and they to a fault discern the hopelessness of this goal: I would very(prenominal)(p) to trance you forty winksing, which may not happen(1-2). The opening to the poem, as we see here, could be considered true of Atwoods writing in the soul that angiotensin converting enzyme person longs to alliance with another, and recognizes the difficulty. It is this type of vulnerability that we urinate come to expect in Margaret Atwoods writings, because, as with many feminist writings, we are aware of the tycoon struggle between workforce and women, and even between women. precisely this poem refrains from identifying sexes; it lonesome(prenominal) discusses a deeply internal need of one person for another, who is on a journey through the sliminess maze of their consciousness. The se nd-off stanza evolves from a simple plea from the genderless utterer to watch their caramel sleep, to a deeper, spiritual need. Atwood chooses to remain perplexing in this respect, which helps a wider audience identify with the work. The poem also has merit because deep down seven short, simplistic lines we glide from a gentle yearning to a love manifold and intense, with two minds merging unitedly in a stargaze: I would like to watch you, sleeping. I would like to sleep with you, to enter your sleep as its smooth dark agitate slides over my head.(3-7) The action of the poem continues to evolve as Atwood carries the endorser through what appears to be a lovers dream or fantasy. The storyteller at first wishes only to watch their lover sleep, wherefore he/she desires to enter the same sleep, then envision him/her go through the layers of consciousness. As the reader... If you neediness to get a full essay, arrange it on our website: BestEs! sayCheap.com

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